It makes for incredibly emotional moments (arguably the best of the film), though such intimacy and intrusion is exactly what Kurt rallied against. In home video footage we see Cobain play with his daughter.
It’s hard not to feel like we are doing the same here no matter the intentions of the documentary. Newspapers and television intruded on his life daily with ruminations of his drug use and how he treated his daughter. In the early ‘90s Cobain was defined as a figurehead of a disaffected generation for kids people were quick to portray a message with him, to define him by whatever people were feeling because of his music.
Define montage of heck free#
Yet here we are, voyeurs of his life in this documentary many years later, free to watch reel after reel of home video footage of Cobain. Here was an artist that hated media intrusion in his life. The fact it doesn’t feels like an anti-climax. The way the film explores his life, it could explore his death and legacy with such intricacy. There is nothing about his death and the legacy that came shortly after. The ending will also likely cause frustration for many as it ends just after the MTV Unplugged performance. There are several things missing, such as bandmate Dave Grohl not being interviewed. You could argue that the lack of exploration of his musical side is a glaring omission, though it has been featured elsewhere. It is a documentary about a man and the relationships that defined him, from his parents to his girlfriends to his daughter. There are no real revelations about the music, though some beautiful alternate and live versions of songs permeate the film. Those expecting a music documentary will be left disappointed it isn’t a reflection on the band and while the music is featured heavily it is often simply in the background. It is the first documentary film about Cobain to be made with the cooperation of his family (Kurt’s daughter Frances Bean Cobain is an executive producer). Courtney Love first approached Morgen in 2007 with the idea for the project which would eventually become Montage of Heck. In the same way that Cobain felt that punk music was freedom, here director Brett Morgen provides a punk aesthetic in order to cast aside the shackles of the Nirvana myth and everything that comes with the name Kurt Cobain. It’s saying, doing and playing what you want.” – Kurt Cobain
Define montage of heck movie#
MOVIE REVIEW: KURT COBAIN: MONTAGE OF HECK / CERT: 15 / DIRECTOR: BRETT MORGEN / SCREENPLAY: BRETT MORGEN / STARRING: KURT COBAIN, COURTNEY LOVE, KRIST NOVOSELIC / RELEASE DATE: OUT NOW
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